The saga continues of Aya and her community.
The many storylines seem like a soap opera. However, I like the idea of reading a graphic novel for variety, and this series has kept my attention.
What We Saw at Night is the story of three outsiders, teens with a deadly allergy to sunlight that forces them to live a life opposite of everyone else in their small town. When they discover the extreme sport Parkour, it seems that they’ve finally found something uniquely theirs—even if leaping from buildings in the dark feels somewhat suicidal. Everything changes when they witness a horrible crime while practicing on an allegedly empty building. Worse: what they see, sees them, too.
I wake with a start from a bad dream. Anxiety clutches at my chest. Something’s gone ... something’s missing ... Beth ... Always Beth ...
When Geniver Loxley lost her daughter at birth eight years ago, her world stopped… and never fully started again. Mothers with strollers still make her flinch; her love of writing has turned into a half-hearted teaching career; and she and her husband, Art, have slipped into the kind of rut that seems inescapable. For Art, the solution is simple: Have another child to replace Beth. For Gen, the thought of replacing her first child feels cruel, nearly unbearable. A part of her will never let go of Beth, no matter how much she needs to move on.
But then a stranger shows up on their doorstep, telling Gen the very thing she’s always desperately longed to hear: that her daughter was not stillborn, but was taken away as a healthy infant. That Beth is still out there, somewhere, waiting to be found. A fissure suddenly opens up in Gen’s carefully reconstructed life, letting in a flood of unanswerable questions. How could this possibly be true? Where is Beth? And why is Art so reluctant to get involved?
As Gen delves into the darkest parts of her past, she starts to realize that finding the answers might open the door to something even worse, a truth that could steal everything she holds close. Even her own life.
When Lauren and Ryan’s marriage reaches the breaking point, they come up with an unconventional plan. They decide to take a year off in the hopes of finding a way to fall in love again. One year apart, and only one rule: they cannot contact each other. Aside from that, anything goes.Lauren embarks on a journey of self-discovery, quickly finding that her friends and family have their own ideas about the meaning of marriage. These influences, as well as her own healing process and the challenges of living apart from Ryan, begin to change Lauren’s ideas about monogamy and marriage. She starts to question: When you can have romance without loyalty and commitment without marriage, when love and lust are no longer tied together, what do you value? What are you willing to fight for?This is a love story about what happens when the love fades. It’s about staying in love, seizing love, forsaking love, and committing to love with everything you’ve got. And above all, After I Do is the story of a couple caught up in an old game—and searching for a new road to happily ever after.
A year ago, fresh out of Harvard Law School, Mike Ford landed his dream job at the Davies Group, Washington's most powerful consulting firm. Now, he's staring down the barrel of a gun, pursued by two of the world's most dangerous men. To get out, he'll have to do all the things he thought he'd never do again: lie, cheat, steal-and this time, maybe even kill.Mike grew up in a world of small-stakes con men, learning lessons at his father's knee. His hard-won success in college and law school was his ticket out. As the Davies Group's rising star, he rubs shoulders with "The 500," the elite men and women who really run Washington -- and the world. But peddling influence, he soon learns, is familiar work: even with a pedigree, a con is still a con.
He was the perfect assassin.
Boy Nobody: No name. No past. No remorse. At least until he began to ask questions and challenge his orders -- until he fell in love with his target. Now The Program is worried that its valuable soldier has become a liability.
Boy Nobody, haunted by the outcome of his last assignment, is given a new mission. A test of sorts. A chance to show his loyalty.
His objective: Take out Eugene Moore, the owner of a military training and indoctrination camp for teenagers. One target. Limited time frame. Public place. It sounds simple, but a previous operative couldn't do it. He lost the mission and is presumed dead. Boy Nobody is confident he can finish the job. Quickly.
But when things go awry, Boy Nobody finds himself lost in a mission where nothing is as it seems: not The Program, his allegiances, or the truth.
The Hunter, the first book in the Parker series, is the story of a man who hits New York head-on like a shotgun blast to the chest. Betrayed by the woman he loves and double-crossed by his partner in crime, Parker makes his way cross-country with only one thought burning in his mind — to coldly exact his revenge and reclaim what was taken from him!Darwyn Cooke has adapted four Parker books as graphic novels so far. The first three, The Hunter, The Outfit, and The Score have all won Eisner and Harvey Awards. Cooke will be providing all-new color illustrations for The Hunter, the first in a series of hardcover prose novels released in chronological order and featuring Cooke's art.
Adapted for stage and screen, loved by millions, Victor Hugo's classic novel of love and tragedy during the French Revolution is reborn in this fantastic new manga edition!The gorgeous art of TseMei Lee brings to life the tragic stories of Jean Valjean, Inspector Javert, and the beautiful Fantine, in this epic adaptation of Les Miserables!
Hetty “Handful” Grimke, an urban slave in early nineteenth century Charleston, yearns for life beyond the suffocating walls that enclose her within the wealthy Grimke household. The Grimke’s daughter, Sarah, has known from an early age she is meant to do something large in the world, but she is hemmed in by the limits imposed on women.Kidd’s sweeping novel is set in motion on Sarah’s eleventh birthday, when she is given ownership of ten year old Handful, who is to be her handmaid.We follow their remarkable journeys over the next thirty five years, as both strive for a life of their own, dramatically shaping each other’s destinies and forming a complex relationship marked by guilt, defiance, estrangement and the uneasy ways of love.As the stories build to a riveting climax, Handful will endure loss and sorrow, finding courage and a sense of self in the process. Sarah will experience crushed hopes, betrayal, unrequited love, and ostracism before leaving Charleston to find her place alongside her fearless younger sister, Angelina, as one of the early pioneers in the abolition and women’s rights movements.Inspired by the historical figure of Sarah Grimke, Kidd goes beyond the record to flesh out the rich interior lives of all of her characters, both real and invented, including Handful’s cunning mother, Charlotte, who courts danger in her search for something better.This exquisitely written novel is a triumph of storytelling that looks with unswerving eyes at a devastating wound in American history, through women whose struggles for liberation, empowerment, and expression will leave no reader unmoved.
Ruth Lennox, housewife and mother of three, is found dead in a pool of her own blood. Detective Chief Inspector Karlsson can’t piece together a motive and calls in Frieda, hoping her talents will offer a new angle on the case.
When it emerges that the mother was hiding a scandalous secret, her family closes ranks. Frieda herself is distracted, still reeling from an attempt on her life, and struggling with her own rare feelings of vulnerability. Then a patient’s chance remark sends Frieda down a dangerous path that seems to lead to a serial killer who’s long escaped detection. Is Frieda getting closer to unraveling either case? Or is she just the victim of her own paranoid, fragile mind? Because, as Frieda knows, every step closer to a killer is one more step into a darkness from which there may be no return . . .